To get the best out of our microphones Schoeps we use golden/silver cables from Siltech/copper cables from Van den Hul and we clean up AC currency with our own developed 6 pack AC Power Block. We use our ears by first listening in the concert room or church where an orchestra/band/singers etc. is playing for some time and then go back to our recording room to get the sound, what we first heard in the concert room/church, as natural as possible. It is usual dictated by placing the microphones not to close, we also put a lot of effort in mixing and mastering the recordings, we guard the whole recording process with our ears like a wolf in the night.Įvery step we check the results and compare the process with the original recordings. We understand that regular CD, LP and Reel to Reel Tape recording companies can’t effort such Rolls Royce treatment. We can do that, because we ask the best brand audio manufactures, for their financial support, they help us to go as far as we possibly can go to reach that High End standard. We are very thankful for the support of our sponsors as Grandinote, C.E.C., Quintafila, Dr. Feickert Analogue, Siltech, Van den Hul, Metrum Acoustics, HiFi Racks Ltd., Audioquest and Nessie. If you listen to our productions remember that we did our out most best to get for you all the benefits of our effort to go far beyond the best of the best. The new Uniti family consists of the reference audiophile Uniti Nova, the multi-functional CD operating Uniti Star and the compact yet powerful Uniti Atom. Hello I’m Fritz the Founder, Technical Director and CEO of STS Digital. I’m both an audiophile and Recording Engineer, with the knowledge and experience gained from my time as a recording engineer from way back in the 1970s to the present day. I’m responsible for the A&R and (the critical) quality control …. Of course I also make all the recordings with the use of my own unique MW Coding Process, and work on the final mastering process together with my colleague Arjan Rietvink from Arjan Rietvink Online Mastering.ġ. The warm sound, that acoustic instruments posess on their own, but is often not captured by sound-technicians.Ģ. Acoustic placing and recognition of the musicians in the recording space.ģ. Phase purity of a recording, both the electric phase (good cable/fibre connections etc), and the acoustic phase must be acquired through proper placing of the microphones.Ĥ. Symmetry in the recording this means always placing the microphones in such a way that on both the left and the right side there’s an equal division of signal, and not placing mono support microphones on the extreme left and right.ĥ. This does not mean an overly sharp recording, but one of softness in tone and clarity, in which especially the 3-dimensional recording-space is being displayed.Introduction to the STS Digital 'CD sound' Volume 2. This is the second 'low cost' sampler CD from STS Digital, packaged in a card sleeve. All re-enginered from the Masters and with the help of their unique STS Digital MW Coding, are re-engineered to provide a taste of the superb 'STS sound' on CD - at a low price. With a range of musical styles, over 19 tracks. This CD shows just how good the medium can be, how the CD can offer a sense of scale and musical reality, not often found on CD's. #THE ABSOLUTE SOUND REFERENCE CD DOWNLOAD FULL#The CD is produced with all the care shown on the STS Digital full priced CD's, and comes in a simple card sleeve. #THE ABSOLUTE SOUND REFERENCE CD DOWNLOAD SERIES##The absolute sound reference cd series.
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